Sunday, November 20, 2011

Introducing more creations by Bette

I have created a decent body of work -- about 60 pieces including necklaces and earrings.  Now, if I can just get my work out there and find a good way to showcase it.  I'm posting some of the pieces here , just in case someone is interested in purchasing.  Simply email me at betbarnett@att.net if interested.

In one of my earlier posts, I mentioned that Rio Grande is a great site for jewelry making supplies, including more tools that you could ever imagine.  I discovered that Rio Grande also accepts scrap metal and will give either cash (75%) or a credit (85%).  So I traded in all of my sterling silver flatware (a must-have when I was married many, many years ago), which had languished unused in a drawer all these years.  Woo hoo, I hit the mother lode!  $400 credit, which I used to purchase a Swanstrom disc cutter and accessories.  Essentially this tool will enable me to make metal circles and "washers", which I can turn into all sorts of interesting creations.  Also, it will enable me to make rings, which thus far, I have not been inclined to do using wire.

So this rainy Sunday afternoon, it's just me and my disc cutter.  So much fun.
Silver choker with organic
soldered silver circles
$63.50
African Wedding Beads
on hand forged silver circles
$60


Hand forged organic silver circles and disc
$66.50 
Sea glass off center focal on soldered circles
$87.50 
Aquamarine briolettes in silver circles
$36
Hand forged necklace with organic circles, discs and granite beads
$78.50

Aquamarine and peridot briolettes in gold filled circles
$42.50

Silver cubes on circles with freshwater pearls
$35

Hand forged organic circles of fine silver
$42.50



Red Chinese crystals and garnets, plus silver circles and various "dangles"
Very pretty
$58






Thursday, November 3, 2011

I'm back!


I have neglected this blog for many months. But not without good cause. On October 9, 2011 I debuted my work at the Italian Festa in Little Italy. Putting together my booth was so much fun. While my sales were not spectacular, I received so much positive feedback about my work. I am inspired to keep trying new designs and learning new skills.

Tuesday, March 22, 2011

Playing with Fire!

Now for the economic news: : 18g wire is now up to nearly $12 a foot! This means that I seriously have to rein in my wire habit. I will, I will...right after I buy a few more feet.

The soldering class that I took on Saturday opened up a whole new way of working with wire. It was an excellent class, one of the many offered by The Bouncing Bead, a great little bead shop in La Mesa. (link) The instructor Christy clearly has a passion for working with metals, and her instruction was thorough and clear. It certainly helped that I was one of only two students in the four-hour class.

We worked with Blazer micro torches and tiny chinks of soft silver solder. I have to tell you, something magical happens when you apply the flame and watch the silver begin to glow orangey pink and then suddenly that tiny chink turns liquid and literally melts into the piece that you are soldering.

Monday, March 21, 2011

New Work!



I am so excited that I am learning so much. I took a soldering class on Saturday and it has opened up a whole new process for me to explore. See photo. More tomorrow.

Saturday, March 12, 2011

Uh, oh! I think I have a problem.


There oughta' be an organization for jewelry makers, similar to Alcoholics Anonymous called "Bead Addicts Anonymous" (B.A.A.!). The logo would be a sheep.

If other jewelry makers are anything like me, we can't go anywhere near a bead shop without spending bundles of money. When I initially started making jewelry, beads were my downfall, as referenced in earlier posts. But as my skills have developed, my addiction has changed. My latest drug of choice is wire...particularly heavier gauge sterling and gold filled wire (14, 16 and 18 g). I have learned to craft this heavier wire into round spirals, square Greek spirals, hoops and swirls, which can be used in earrings, as a focal piece for a necklace or bracelet, or even as links in necklaces or bracelets.

Working with this heavier wire is so rewarding because it is very sturdy, and bending it into shape takes some skill and precision, but the results can be stunning. Unfortunately, it is very expensive (the last 18g SS wire I purchased was $6.70 a foot), and the price of precious metals has gone through the roof recently. But I can't stop buying wire. When I touch that lovely, smooth, promising surface, I can just feel it oozing potential. I'm a goner....sort of like a lamb being led to slaughter.

That's where B.A.A would be helpful. If I just had a phone number that I could call with a sponsor on the other end who could help me "put down the wire" and "walk away from the bead shop." But alas, my sheep's brain just keeps on buying wire. No sooner do I get it home then I use it up.

Yesterday, I created two pairs of sterling silver Greek spiral earrings, one with a square sterling silver bead in the center of the spiral, topped by amber and garnet beads. The other has at its center a beautiful streaky carnelian flanked by onyx beads. The work is not exactly perfect, but I love the look of the Greek spiral. (See photos.)

Now, I've become a bit obsessed with the Greek spiral shape and see it everywhere...on the iron fence outside my apartment, on the awning of the nearby Greek restaurant and adorning a paper cup. Uh oh, I think I might have a problem.

Today, one of my dang dogs stepped in my bead box scattering beads everywhere (as you can see in the photo on the right above). What a mess! So I shut the door on my studio and went to a yoga class.

Until next time,
Bette


Monday, March 7, 2011

It's a dog eat dog world out there...and a new creative passion!




A few days ago I had coffee in Little Italy at a cute little cafe named Influx (which somehow always reminds me of reflux...maybe a retiree thing). My daughter Melissa, her husband Michael and my three precious grandchildren Emmet, Everett and Lilah were with me. Melissa mentioned that the nice little boutique next to the cafe sold some really cool jewelry. So, of course, we abandoned Michael with the kids and ventured in. The shop did indeed have some nice jewelry, mostly large bold statement pieces and some trendy leather wraparound bracelets. The large pieces did not appeal to me, but the earring bangles with semiprecious stones and wrapped beads on twine as necklaces were very interesting.

I had decided that my ultimate goal is to place my pieces on consignment in boutiques and start my own website rather than use Etsy or some of the other online selling sites. Why? Well, personally I think that there is so much good work being done out there and, in general, jewelry makers are so talented. However, they tend to undervalue their work. By mass marketing handmade jewelry, you are competing with thousands (probably hundreds of thousands) of jewelry makers. Did you know that there are more than one million products available under the category of handmade jewelry on Etsy? Any many very nice earrings and even bracelets and necklaces are listed in the $10 to $20 range. So my thinking is if I can find one or two boutiques that would carry some of my pieces, that would give me a way to dip my toe in the water while I continue to build my skills.

Back to the little boutique that Melissa and I were exploring. It just so happened that I was wearing one of the ethnic looking necklaces that I had made recently beaded with ancient granite, coral and a Chinese coin on red silk twine. (See photo above.) I was quite taken with it. So, I asked the boutique owner if she ever considered selling handmade jewelry on consignment. She replied an enthusiastic, Yes!." At that point, she peered at my necklace and launched into an explanation about how her target market preferred big, bold statement pieces and that ethnic was, in effect, yesterday's rubbish. Hmph! I was so insulted. How dare she pooh pooh my latest work. Not to be deterred, I mentioned that I had made a number of small, delicate earrings with precious stones and pearls or crystals. "Oh, no, no no," she said. "I cannot carry small pieces. Shoplifting, you know." So I tucked in my tail, held my head high and sauntered out as if to convey that she had missed the greatest opportunity one could imagine.

What did I do? I went straight home and made a big, bold pair of earrings. (See photo above.) Well, they aren't that bold, but they were bigger than any earrings I had made in the past, large hammered 1-1/2 inch silver hoops (16 gauge) encircling beautiful teardrop Swarovski crystals that reflect a rainbow of colors. I created a wrapped cap for the crystal and a wrapped earwire for it all to hang on. The photo doesn't really do the piece justice. (I need to master close-up photography as well.) The earrings are dangly and fun. And the coolest thing is that I learned three new techniques (using tutorials downloaded from jewelrylessons.com):
  • A simple techniques for making large hoops,
  • How to create a wrapped bead cap (in essence a cone that sits on top of the bead), and
  • How to create a lovely wrapped earwire.
So there, you snooty boutique owner!

In one of my previous posts, I mentioned that retirement has sparked an exciting creative streak in me. I am discovering all sorts of creative outlets; although jewelry making is my real passion. My latest endeavor involves creating cyanotype prints on fabric and then making the prints into pillows. (See photos above.) I ordered the silk velvet fabric (treated with a chemical emulsion necessary to create the photographic reaction in sunlight) after being inspired by a similar project in a magazine. (Thank you Martha!)

My first attempts are not bad, if I do say so myself. After cutting the fabric to my desired sizes, I placed ferns, leaves, flowers, etc. on the fabric, anchored it on a piece of foam core with a piece of non-UV treated glass on top and put it out in the bright sunlight for about 10-15 minutes. Then I rinsed the fabric and voila! A beautiful shadow print appeared. The Prussian Blue color is lovely and can be made darker or paler, depending on the exposure. I backed the pillows with a soft camel colored micro fiber suede and used camel colored cord or fringe around the outside.

This project was so much fun and so rewarding that I have ordered two more yards of fabric (more silk velvet and raw silk), as well as the chemicals so that I can treat my own fabric. The fabric and chemicals can be purchased at blueprintsonfabric.com, where you will also find complete instructions and tips.

That's it for the current outpouring of my creative juices.

Until next time.

Bette

Friday, March 4, 2011

Ah ha! I discovered JewelryLessons.com






This is a great site for jewelry makers: http://www.jewelrylessons.com/tutorials/all It offers hundreds of tutorials, many of them free. They are provided by jewelry makers in PDF format and the vast majority are dedicated to projects; although some are "how to's" for various techniques. I spent $14 and received downloads for 13 tutorials. A couple are for techniques that I have been dying to learn, such as the Greek square wire spiral, but could not find anywhere else.

I also discovered another great bead shop, the Bouncing Bead, in La Mesa, CA. It has great vibes and some interesting things that I haven't seen elsewhere, particularly a nice artsy selection of lampwork beads. I have now visited approximately half a dozen bead shops and found that each one has a completely different character, feel and inventory. For example:

The Shepherdess -- In Old Town, this is one of the oldest bead shops around. It's tiny and shares space with yarn and knitting supplies. Very narrow selection, but occasionally some really interesting beads. Some vintage beads that you won't find anywhere else. The Shepherdess also offers classes. I took a beginning wire wrapping class there, and it provided me with a good introduction to the basics.

Lost Cities Beads -- In an earlier post, I described this as the mega-mart of beads. Lost Cities is also in Old Town, in fact right next door to The Shepherdess, which makes for a fun shopping trip. While Lost Cities has a huge inventory, in no way does this shop sacrifice quality for quantity. Huge selection of Swarovski crystal and always getting in new ones. Have any type, size and shape of semiprecious stone you could wish for. Great vintage and antique pieces, including ancient granite beads from 1200 BC, antique coral from Afghanistan and ancient Chinese coins with a beautiful turquoise patina. Nice inventory of wire and findings all in precious metals. (I don't believe they carry base metals at all.) Wonderful selection of small gems. Lost Cities does not offer classes, but their staff is very knowledgeable and helpful.

Yone -- Located in San Francisco's North Beach area, this is the most interesting and quirky bead shop that I have ever visited; although I have only been there once. It is a tiny place, and beads are everywhere, hanging from the walls and ceiling, organized in trays under and on the counters, and stacked wherever there is an open spot. The proprietor is an elderly gentleman with years and years of experience. He can tell you anything that you want to know about beads. While there, I purchased some fascinating black flat triangular beads with pink striation as well as red translucent flat round glass beads that are stamped with gold moon and stars, opaque bright yellow glass lemons and beautiful ancient painted granite beads. I can't wait to go back. I used the triangular beads to make an unusual necklace with small black and clear glass beads (see photo above).

I have signed up for a five hour soldering class at the Bouncing Bead. Rather than commit to an expensive series of classes at a local college or the Art Institute, I have decided to take individual classes and use online tutorials to learn. I think this approach better suits my personality and gives me a chance to practice as much as I need until I master techniques.

Have also included above some more photos of the tiny little sparkly earrings that I have been making.

Until next time,
Bette

Tuesday, March 1, 2011

So much to learn



The technique that I mastered for the basic back wrap did not look anything like the diagrams, instructions or videos that I studied. I finally figured out my own way of making a perfect back wrap almost every time. After bending the wire using my chain nose pliers, I held the round nose pliers vertically (so that the seam opening is facing me) just beyond the bend in the wire. Then I wrapped the wire back over the pliers until it was vertical. At that point I turned the pliers horizontal so that the pliers opening is facing up. Then I continued to wrap the wire all the way around the pliers. Finally I straightened the loop so it looked like a lollipop and wrapped the tail around the base wire three times. Perfection!

I had entered the danger zone of bead-love. Candy cane glass beads, lampwork beads with little knobs, freshwater pearls of all colors and sizes...I was hooked. The next few pieces that I made were necklaces using colorful lampwork beads and beautiful new jade with those vintage clear beads that I referenced in my last post. They were nice, colorful and a bit whimsical. Perfect Christmas gifts for my sisters.

Then I turned to the small shiny gem stones...aquamarine, peridot and garnet. I couldn't afford to buy large stones, so I invested in a lot of tiny briolettes. Oh, sooooo sweet. So dainty. So perfect. But so little! How could I possibly turn them into the beautiful jewelry that I saw in my mind. Fortunately, I had a large lighted magnifying glass that bolts onto any flat work surface -- similar to the ones that skincare salons use to spot all the little skin imperfections.. I had purchased it years ago when I tried needlepoint and stuck it in a closet when I gave up on that endeavor. What a godsend! I could see all the details and began working with the tiny briolettes. I began creating tiny, dainty earrings, little sparkly things that moved with every tilt of the chin and caught the light.

I have now created about 15 pair of those sparkly little earrings and I still can't get enough! I know that my skill will continue to improve and I'll tackle more difficult projects, but this first batch of fairy dust will always be special.

Sunday, February 27, 2011

Beginner's luck .... online dating ... and then reality


When I started making jewelry, I was on an initial high. After my success making a beautiful necklace at the spa in Mexico, I thought I was a natural. All I needed to do was string together a hodge podge of beads randomly as they caught my eye. Since that was what led to my initial Mexican Fiesta success, I thought it would work every time. I thought I had a god given talent for jewelry making.

In fact, I was so confident when I returned from my Mexican vacation that I put myself on eHarmony. Now, you might scratch your head at the connection between jewelry making and online dating. But, here's how it worked in my head: "Hey, I am really creative, and it's likely that I am going to make some big money from my jewelry making. Plus making jewelry is so creative that I will be fulfilled and happy. And because I have recently lost a bunch of weight on Weight Watchers (another story), there is not a man over 50 that wouldn't die to go out with me!" I know, a bit delusional, but that's how it went. So, at age 63, I completed a questionnaire, labored over my profile, had some photos taken and made the plunge into the world of online dating. You have to understand, I had not had a date in more 13 years. So putting myself out there was a HUGE step. More on that later.

Within a week after returning from my spa vacation, I had invested hundreds of dollars into tools (chain nose pliers, round nose pliers, flat nose pliers, crimpers, cutters, bench block, ball peen hammer, files), wire (silver, copper, 14 carat gold filled, 22 gauge, 20 gauge, half hard, dead soft, flex wire), findings (those little metal things that you use to hang earrings on your ears or close a necklace), crimp beads, crimp bead covers . . . well, you get the picture.

Then I went for the beads. If you have ever been into beading, you know what a heady experience shopping for beads can be. I first ventured into The Shepherdess, a small bead and knitting shop in Old Town, San Diego. It was an old establishment, having been in business for more than 30 years. While the selection of beads was rather limited, the shop had some interesting vintage beads, and so that's were I started. A string of small clear oval beads caught my eye along with some interesting copper beads. Into the basket they went. No great damage done there. However, right next door was Lost Cities Beads, the mega mart of bead stores. I wandered over thinking that the shop had undoubtedly sacrificed quality for quantify.

What I found was that Lost Cities Beads has an enormous inventory of literally thousands of beads ranging from Swarovski crystals of all shapes, sizes and colors, to ancient bone beads, to semi-precious stones. I was overwhelmed. Wide-eyes and in a bead daze, I circled the store, fingering new jade, onyx, quartz, iolite, jasper, crystal, amber and many others. I eyed the fine gem stones under the counter. I was giddy at the sheer abundance of beads. A sales associate greeted me with a tin of chocolate chip cookies (beads and cookies, oh my!) and handed me a sectioned plastic plate with a pencil and paper to record my selections. I was a goner.

I selected what caught my eye...square crystal, new jade (a beautiful pale blue-green), tourmalated quartz (smokey grey briolettes), oval carnelian and dyed coral. Then I spotted some beeooootiful ancient Chinese coins and counted out six of them. Oh, and some wonderful square silver beads that were just so architectural. I had no idea of my investment at that point but knew instinctively that I needed to stop putting things on my plate ... NOW.

I approached the cash register, placed my plate on the counter and took a deep breath. The cashier cheerfully asked if I was on their preferred buyer list. "No," I replied. "This is my first time here." She explained that after spending $500, you receive a 10 percent discount on all future purchases. All I had to do was save my receipts and when I hit the $500 mark, bring them in so the shop can put me on its preferred buyer list. Ok, that sounded fine. However, I was doubtful that I would ever hit the $500 mark. I mean, how much could beads cost? She finished ringing up my purchases and handed me a tab for $211.35. I nearly fainted. How could a selection of beads that barely covered a third of my plate cost more than $200? But I was simply too shocked to return some of my purchases. And, frankly, I didn't want to. I had treasures in my hands. Little shiny, sparkly, colorful treasures to turn into something beautiful. I felt rich, excited and full of creative potential.

Half the fun of jewelry making is the anticipation. I'm not a planner, so I had no clue as to what I planned to create with my treasures. At home, I assembled all of my jewelry making paraphernalia in front of me, laid the tools out on a large tray, put the beads and findings in their cute little cubicles in my newly purchased plastic bead box, organized the wire by size and substance, placed my bead board in front of me, smiled at how darn creative it all looked, took a deep breath and tried to figure out where to begin.

My first attempts were disappointing: a pink and tan quartz and copper necklace that turned out to be heavy, clunky and downright unattractive. Then (pictured above) a necklace and earrings of painted glass beads, small red and white beads and silver links. The second one was "okay," but I could never picture myself wearing it, so was fairly certain that no one else would.

I bought a book on basic wire wrapping techniques, but my wraps never looked like the ones in the photos. I used copper wire to practice the basics because it was less expensive than silver or gold plated. But I was no where near ready to make the jewelry that I had pictured in my head.

The basic backwrap was my greatest challenge. It's so important because it is used to connect beads together when you don't want to simply string them on flex wire. I had taken a class in wire wrapping and nailed the basic backwrap in class. But for the life of me, I couldn't get it right after my initial success (there's a theme here). I kept trying but I just couldn't get it right. Invariably there was excess wire showing between the wrap and the bead, or the wraps overlapped, or the dang wire simply snapped because I overworked it.

So I had gone from my initial high to the frustrating reality that jewelry making is like any other skill. It takes more than a creative gift. It takes practice, study and time.

By the way, I discovered a great website - firemountaingems.com. The site offers a huge range of jewelry making supplies and beads. Although a bit pricier than Lost Cities Beads, I have found their selection of tools and supplies to be unmatched anywhere. More important, at least to me, Fire Mountain Gems offers a wide range of free tutorials from basic techniques to more unusual approaches. By watching the tutorials on wire wrapping, I am happy to say that I have finally mastered the basic back wrap!

Until next time.
Bette

Saturday, February 26, 2011

Welcome to "Twisted Wires"!



"Twisted Wires" is all about jewelry-making; although you're forgiven if you suspected it contains dark, psychotic musings. The double entendre is no accident.

Approximately 10 months ago I retired after a 35 plus year career in corporate America ... starting in 1974 as a junior writer with a benefits consulting firm and ending as a communication market business leader with the world's largest human resource consulting firm. At times, my work was rewarding and fulfilling. Always, it was demanding, stressful and political.

In April I made the decision to retire and move to San Diego to be close to my three glorious grandchildren, Emmet, Everett and Lilah (ages 5, 3 and 10 months) ... oh, and of course, my daughter and son-in-law. I embraced retirement with excitement and relief. Finally, after years of pleasing clients, co-workers and bosses, this would be my time to explore my "softer side," to get the creative juices flowing. I had always been creative - dabbling in candle and soap making, experimenting with Martha Stewart crafts, for example. But once I retired, I could go full throttle into the world of creative expression. Cooking, sewing, needle-pointing and finally jewelry making all appealed to me and offered promise for me to fulfill my creative desires. So where did I start?

I got a tattoo, of course! Not just a small flower tucked inside my ankle or a little heart on my backside. No, I needed to make a statement about my newly released creative side. And, of course, the tattoo had to be representative of something important. So, here's what I did: I worked with an incredibly talented tattoo artist in San Diego, who created a magnificent 14 inch tall tattoo consisting of three poppies on stems plus a little bud all climbing up the outside of my left calf, one flower for each of my grandchildren and the bud for an unfortunate first pregnancy that ended in miscarriage. It is stunning, if I do say so myself!

The tattoo opened the creative flood gates. I began sewing (baby clothes) and cooking. Then in September, I took a three hour class in jewelry making while staying at a fitness resort in Mexico (my last financial hurrah before settling into a restrictive retiree income). The course involved simple beading, but by the end of it I had created a wonderfully colorful necklace that absolutely captured the spirit of Mexico. In short, I was hooked.

Since then I have taken another class in wire wrapping and have created about 20 pieces in all. I am learning with each piece and can't wait to graduate to metal work and more advanced techniques.

So this is what this blog is all about...my adventures in jewelry making with some side trips along my journey into retirement. My purpose is to share my journey with you and perhaps learn from some others out there who are on similar journeys. Until next time!

Bette